Duke Ellington and John Latouche made a number of pointed references to “highbrow” and “lowbrow” art in their 1947 musical Beggar’s Holiday. I argue that this dichotomy did more than classify; it also politicized the consumption and composition of art. Drawing upon the writings of such critics as Clement Greenberg. Dwight MacDonald. https://yeswellneses.shop/product-category/beauty-tools/